Music surrounds us everywhere, but have you ever wondered who plays it? Well… it doesn’t just play by itself… somebody has to do the “hard” work. The DJ is there to delight us with carefully chosen tunes and mix them so that they never stop. Being a DJ is not at all a new trade, it goes back to the 40s and it has constantly improved ever since.
DJ Schools Are Waste Of Money
There are DJs who simply get the hang of it just by spending so many hours mixing but there are people who turn to music schools to be trained in the field. These schools sometimes just hinder you, not to mention that they cost you a lot and you could spend that money on buying yourself some piece of equipment.
They don’t offer you anything else except a big name behind their training, state-of-the-art equipment to learn on, but when you are finished, you don’t have anything else than a piece of paper saying how great you are in the business. But is it really so?
How Do I Start DJing?
When we talk about DJing, the first thing that pops into my mind is the DJ’s mixing equipment, and it can amount to quite a large sum of money. Then, you need to focus on specializing on a certain area and getting good at it, and of course, making yourself known. Start small, with social platforms, blogs, online forums and chat rooms dedicated to DJs and take it from there.
Best Music Production Software 2016
Pro DJ Mixing Quick and Easy Review
All DJs find it difficult to mix, beatmatch when they first get to DJ-ing. Don’t think that Sean Gallagher found it any other way. He is the designer of the Pro DJ Mixing Quick And Easy program, and since he understands the ‘frustrations’ of new DJs, who else can better walk you through finding solutions to them?
He put up a video guide book, including 18 chapters. The systematic plan of Sean Gallagher to teach you how to really mix is based largely on illustrating, giving examples, instructions and a lot of practicing, it’s like having your own personal coach revealing you step by step the secrets of the DJ art.
It also provides you with useful information on how to successfully record your demo mix, how to efficiently organize its energy and tempo so it sounds great and gets you the gigs you’ve been waiting for. It offers information about scratching which makes the floor go wild and many other secrets you won’t find anywhere else.
Learn How To DJ Online
If you really want to learn how to mix and how to dj, this is what you should be doing: pay great attention to what Sean Gallagher is saying. What the program has to offer is kind of unique on the market and within 2 weeks you can actually start mixing like a real dj.
There is a small price to pay if you want to start mixing at parties like a real pro and get everybody on the dance floor… after all, that’s the aim. It is a small price indeed, because unlike the expensive lessons on how to become a DJ given by DJ schools, it offers you the guarantee that Pro DJ Mixing Quick And Easy will actually teach you how to mix.
BPM … you must have heard of it, but here we are talking about music. If you want your mix to sound good, it’s important to master beatmatching.
First, using the Pro DJ Mixing Quick And Easy you can measure the beats per minute, the speed of a track. So that the next one flows naturally into the first, you need to adjust the speed of the second track, so that there is no discrepancy between the two.
There is a tempo slider on the right side of the cd deck which plays the song you want to mix. It allows you to alter the speed of a track so as to match the two speeds. You can use the cue to listen to the song you want to mix in with the volume all the way down not letting it be heard through the output.
You can adjust all the sounds and then cue it up. Cue is very important to help you play your song at any point you want, but the auto cue will help you starting the track from the beginning.
What do you do when you like a beat? You tap… tap your foot to the beat, this is the way to get the beat of the track you want to mix in. And because you want it to flow in, you must actually tap the beta to the floor with your foot.
You have your headphones on, press the channel 1 cue button which allows you to heat the first track, cue the second track to the first beat. You must have already depressed the channel 2 cue button. In order to synchronize the beat of the second song with that of the first one, press play when your foot is going down.
There you go… you got it, you’ve got the beat synchronized. But… if you haven’t you can use the jug dial to move back and forward until you get your mix right. Since both songs are playing, use the fader slider to turn down the first song and turn up the second song. You mixed!
The pitch is what professionals use to keep two beats synchronized. After having started the second song mixed in, if you notice it lags, you can use the old pushing of the record or the CD deck’s jog wheel or you can increase the tempo by a few percentage points and pitch the track up.
Then, return to the initial position of the pitch, which can be quite a handful in the beginning, but you’ll get used to it. You can use pitch riding to fix the errors you may stumble upon when starting a song or to make beatmatching faster, more precise and it will take it to a higher level, of course once you’ve got the hang of it.
The pitch slider can come quite handy when a beat lags behind, speeding up the song and allowing you to move freely between the boundaries, finding the correct pitch position.
When you think of vinyl, you think of scratching or scrubbing as it is also called, usually associated with hip hop music but not only. It mainly consists of moving the record back and forth and producing distinctive sounds.
Two turntables, a DJ mixer with a crossfader and cue buttons is what it takes to start scratching. But since nowadays vinyl is a rare thing, CDs come in and are used by DJs who scratch them like vinyl records. With the help of a MIDI or HID controller, the DJ manipulates the payback of digital musical files through a control surface.
Scratched sounds include drum beats, words, vocals and even lyrics from other songs. The opening or closing of the crossfader plays an important part in defining the scratching techniques, some of the most sophisticated being scribble, tear, forward and backward, baby, chirp, flare, transformer, hydrophonic, tweak, orbit scratching and many others.